Clea Simon’s Code Grey started odd and didn’t get any better. Dulcie Swartz is a grad student trying to work on her thesis over spring break while the campus is empty. Unfortunately the school’s renovation and the death of a former student of the university has her trying to figure out a decades old case of missing books. In the process, Dulcie talks to her cat, and it responds, and she sees signs and visions from her dead cat. This was a bit too eccentric for my mystery loving habit and I was turned off by it. Also, when Dulcie’s boyfriend, who went home for the week, scolds her for walking around by herself at night, the feminist in me was triggered and I questioned every interaction afterward, never veering from my anti-boyfriend stance.
I thought Code Grey would be a different type of mystery. It was, but not in a way I enjoyed.
Read February 2017